Under the auspices of the Arts Council of Pakistan Karachi, a Book launch ceremony “Ruqaat e Sadequain” was held at the Haseena Moin Hall meticulously compiled from letters penned by Sadequain from Paris between 1961 to 1967. The compilation was curated by Syed Sultan Ahmed Naqvi.

Distinguished personalities such as Dr. Jafar Ahmed, Ambreen Haseeb Amber, Farooq Ahmed, and Shaista Momin graced the event with their expressions. Professor Sahar Ansari presided over the proceedings, while Shakeel Khan performed the duty as Moderator. In his presidential address, Professor Sahar Ansari underscored the significant task of immortalizing these letters into a book format in today’s era, where technology prevails, and the art of letter writing has become antiquated.

He elucidated how Sadequain’s paintings, calligraphy, and poetic verses serve as a reflective mirror of his persona. Dr. Jafar Ahmed remarked on the lucid portrayal of Sadequain’s personal reflections, observations, and aspirations evident within the lines of the letters, offering a glimpse into a time where dedication to craft left little room for mundane concerns.

Paris socio-political landscapes are also the part of his letter. Sultan Ahmed Naqvi extended gratitude to the Arts Council and Ahmad Shah for orchestrating such a commendable program, emphasizing the personal and artistic significance of the book. He underscored the profound importance of the book, both on a personal and artistic level.

Ambreen Haseeb Amber opined that speaking about an artist like Sadequain doesn’t necessitate a backdrop; his name alone resonates within French art circles akin to a Pakistani Picasso. She further said that simplicity, truth, and disregard emerge as cherished treasures for artists. Sadequain and Picasso had rebellious thoughts regarding their artistic endeavors.

The unveiling of “Ruqaat e Sadequain ” not only commemorates Sadequain ‘s artistic legacy but also serves as a cultural bridge between Western and Eastern through the timeless allure of his letters. Shaista Momin highlighted the perpetual magnetism of Sadequain’s presence, likening the letters to a narrative where characters retain their dynamism.

Publisher Farooq Ahmed, in his remarks, revealed, “I have read this book six times. Reading it provided me insights into the personality of Sadequain and a deeper understanding of Paris.” He also noted that the political landscapes of Paris are also an integral part of the book